Posts Tagged ‘Professional Editor’

6 RELATIVELY PAINLESS STEPS TO WRITING YOUR THESIS

Thursday, March 18th, 2010

You’ve written undergraduate papers and even graduate-level papers, but now you’re getting ready to work on the biggie: your master’s thesis.  Panic sets in as you realize that this is beyond the scope of your previous academic research and writing experience…and maybe even skills, you’re thinking now. “What was I thinking?” you groan, clutching your head.

Take a deep breath and relax.  While writing that thesis may not be painless, it’s not as difficult as you’d think. Below are six steps to make the process less intimidating:

  1. Choose your thesis topic carefully. While original research is expected in a thesis, you want to be sure that your work isn’t so original that there are no sources for you to refer to for research. The childhood of A.A. Milne might be utterly fascinating and help explain why he wrote his series of Winnie the Pooh books, but if there are few sources that discuss his childhood; this might not be a good thesis topic. On the other hand, Abraham Lincoln’s childhood has been over-researched, and while plenty of sources exist, it would be difficult to add anything new to them, and so this might also be a poor choice for a thesis topic. You want to hit that middle ground, where sources exist in enough quantity to be helpful but not to give the impression that your topic has been over-worked by previous researchers.
  2. Review your course papers. Look at your existing graduate and even undergraduate research papers for topics that might mesh with your thesis topic. If you’ve been wise and had the opportunity in your graduate courses, many of your existing papers should be in the same general area as that of your thesis topic. It’s not too difficult to revise a stand-alone paper on the Lend-Lease Act and make it a chapter in a thesis on American foreign policy during World War II.  For that matter, perhaps one of your graduate papers could be expanded into a full-blown thesis.
  3. Break down your work into manageable chunks. Start with a very general outline or perhaps a short essay describing what you plan to do. This is for your own reference, so it doesn’t have to be perfect or even grammatically correct—free-associate, scribble, doodle—whatever helps you focus on the direction you want your research to go.  Then work on a chapter at a time, possibly following the same process for each chapter before you actually begin writing the final product.
  4. Don’t procrastinate. While many passable undergrad—and maybe even some decent graduate-level—research papers have been written in the wee hours of the morning on the day the paper was due, this is not an advisable approach with something as major as your thesis. If you know the thesis committee wants to see a reasonably polished draft in three months, take the time to sit down and figure out how to have that thesis written in two and a half months. That way, if something comes up at the last minute, you’ve got a little time to spare.
  5. Back that sucker up in several places! Don’t rely just on your hard drive: what if it crashes and takes two months’ worth of work down with it?  Copy everything you do, every day, to a flash drive, a CD, an external hard drive—some backup source (or maybe several sources) that will protect your work. In fact, there are those paranoid souls (and I’m one of them) who even suggest keeping a copy of your work in a safety deposit box at your local bank.  Hey, a little paranoia is a good thing when it comes to protecting months of hard work!
  6. Hire a professional editing firm such as FirstEditing (www.first editing.com) to give your thesis a final review before you turn it over to the committee. Professional editing can save you much embarrassment by catching silly slip-ups that your spell/grammar checker missed and can also ensure that your citations and references are in the correct format, as set forth by your committee.

While these steps won’t guarantee a painless thesis experience or the instant approval of the committee, they can certainly make the entire process less daunting and improve your chances of approval for your completed thesis.

Vonda

Editor Specializing in Technical Research Editing Services for FirstEditing.com

Writing a Newsletter

Tuesday, March 31st, 2009

A well-designed, easy to read and interesting and helpful electronic newsletter can build a customer or organizational member base and keep families in touch around the world now that our earth is becoming a global society.

There are many sources of inexpensive or free software that can be used to develop a newsletter. In addition, it is now very easy to take, download and edit personal pictures or find free graphics, fonts and artwork to enhance the newsletter on the Internet.

Why Should You Have a Newsletter?

It is an inexpensive way to communicate with members, friends and families. And, you can include address information, sales and product information or announce new products and even new babies? If your newsletter is interesting, includes fun facts or useful information for people to find a missing piece of china, or a long-lost relative, or a new product that will enhance efficiency for the small business owner, your “customers” will look forward to hearing from you weekly, or monthly. You may want to start out one or twice a year until your clients help you build your base, your stories or information and provide other services such as proof reading, or adding artistic interest to the newsletter.

What Software Can I Use?

You can start out with a very easy newsletter using a word-processing software or a specialized newsletter software or template (e.g. Word, Publisher) and limit your pictures and graphics to begin with. Here are some sites and templates to look at for ideas. In Word, go to Help on the Index bar and look for templates. If you have Microsoft Office, look at Publisher, which provides templates for newsletters. You can also go on the Internet and Google “Free Newsletter Templates.”

Think About Marketing and Internal Communications

I know that this is business jargon, but it applies to developing new businesses, friends, members, clients, or relatives through genealogy. If you are building a client base, it is important to include an electronic newsletter as part of your marketing strategy. Do you have a new product? Include some customer testimonials about how helpful the product has been. Put a 10% coupon in your newsletter for a first time purchase. Are you building an Alumni Association or a membership group (e.g. Siamese Cat Lovers)? Include helpful articles about Alumni who have a good story to tell or who have accomplished a major fundraising effort. Or, include advice on how you trained your Siamese cat how to stay off of the dining room table. Interesting and helpful articles attract readers.

They will begin to look forward to getting the newsletter on a timely basis. At the same time, you build an email client mail list. Mail the newsletter for free! Include a section that allows new people to sign up for the newsletter to broaden you mailing list and client base.

But, your client base can also be all the relatives in the Curtis R. Smith family. Use a newsletter to help you uncover family genealogy and new relatives by starting with your first ring of relatives, who pass on the newsletter to even more family. It will be surprising to find out how many new “distant” relatives you have.

Be Professional

This is important and where editing and good writing comes in as an important aspect of newsletter production. Your newsletters needs to be written well, interesting, and the punctuation, spelling and grammar must be error free, especially if this is a business product. Use a second or third set of eyes, and professional editors to read the materials and improve the writing so that it is clear, interesting, succinct, and fun! Make it a point to ensure that each of your readers will learn at least one new, exotic fact or find a new product to try after reading each of your newsletters.

Grab the Reader’s Attention Immediately

Your electronic newsletter has to have a subject heading that stands out so that the reader knows to open it when it comes. Our electronic “noise” has increased significantly and it is hard for individuals to sort through emails and other information. So, in the subject, write a clear title and keep it the same each time you send out your newsletter. Example: February 2009 Newsletter – Siamese Cat Lovers, or Fabulous Fonts – February 2008 Newsletter or the George Elliot Literature Group – Newsletter, Spring 2009. As you build your electronic newsletter, add color and graphics to grab the attention of the reader. Have a comment column, a writer’s circle or ask members to write columns or articles for the newsletter.

Build a Volunteer or Paid Support Base

If you have devoted members, many will work for low cost rates or volunteer depending on the type of newsletter you have. Create a base of editors, writers, proofreaders, artists and photographers. But, remember to use a professional editor for every newsletter, especially those that are in the business of marketing products. Nothing turns off a client more than poor vocabulary, spelling or errors in prices or product descriptions.

Move from Email to a Web Page

You may start with a newsletter sent through email as an attachment as you build your newsletter. But it can become a Web site with product descriptions and a “grocery or shopping cart” for purchasing. Or, you may need to charge a subscription fee or newsletter fee to build your organization.

The bottom line in marketing your organization through a newsletter is to start slowly, provide interesting information in every newsletter, involve many individuals in developing your newsletter to build capacity and ensure that it is professionally (well) written. Of course, it is always best to consider using an outside professional editor who has the training to check for clarity, compelling use of the English language and to ensure that the writing is error free. They can also provide advice on how the newsletter appears to the reader and if it is interesting and attractive.

Associations and membership groups should involve a team in putting together a product that your reader looks forward to receiving and reading every month or quarter. Your best evidence of success will be a growing email address base.

Homophones

Monday, January 5th, 2009

One thing every professional editor must be very clear about is the variant spellings and meanings of words known as homophones. According to The Merriam-Webster Dictionary, homophones can be defined as “one of two or more words (as to, too, two) pronounced alike but different in meaning or derivation or spelling.” Therefore, a professional editor misspelling even one letter in a word can potentially lead to a change in meaning, sometimes one that is radically different from that originally intended by the writer.

Below is a list of some common homophones, which, for the most part, keep us professional editors on our toes (please note that all definitions have been taken from http://www.merriam-webster.com/):

1.    allowed, aloud

allowed – “to assign as a share or suitable amount (as of time or money) <allow an hour for lunch>”
aloud – “in a loud manner”

2.    bare, bear

bare – “lacking a natural, usual, or appropriate covering”
bear – “any of a family (Ursidae of the order Carnivora) of large heavy mammals of America and Eurasia that have long shaggy hair, rudimentary tails, and plantigrade feet and feed largely on fruit, plant matter, and insects as well as on flesh”

3.    cite, sight, site

cite – “to call upon officially or authoritatively to appear (as before a court)”
sight – “something that is seen”
site – “the spatial location of an actual or planned structure or set of structures (as a building, town, or monuments)”

4.    desert, dessert

desert – “arid land with usually sparse vegetation”
dessert – “a usually sweet course or dish (as of pastry or ice cream) usually served at the end of a meal”

5.   foreword, forward

foreword – “prefatory comments (as for a book) especially when written by someone other than the author”
forward – “near, being at, or belonging to the forepart”

6.    groan, grown

groan – “to utter a deep moan indicative of pain, grief, or annoyance”
grown – “cultivated or produced in a specified way or locality”

7.    hear, here

hear – “to perceive or apprehend by the ear”
here – “in or at this place”

8.    idle, idol

idle – “lacking worth or basis”
idol – “a representation or symbol of an object of worship”

9.    jewel, joule

jewel – “an ornament of precious metal often set with stones or decorated with enamel and worn as an accessory of dress”
joule – “a unit of work or energy equal to the work done by a force of one newton acting through a distance of one meter”

10.    know, no

know – “to perceive directly; have direct cognition of”
no – “used as a function word to express the negative of an alternative choice or possibility”

11.    lie, lye

lie – “to be or to stay at rest in a horizontal position; to make an untrue statement with intent to deceive”
lye – “a strong alkaline liquor rich in potassium carbonate leached from wood ashes and used especially in making soap and for washing”

12.    morning, mourning

morning – “the time from sunrise to noon”
mourning – “an outward sign (as black clothes or an armband) of grief for a person’s death”

13.    nay, neigh

nay – “a negative reply or vote”
neigh – “to make the prolonged cry of a horse”

14.     ode, owed

ode – “a lyric poem usually marked by exaltation of feeling and style, varying length of line, and complexity of stanza forms”
owed – “to have or bear (an emotion or attitude) to someone or something <owes the boss a grudge>”

15.    principal, principle

principal
– “most important, consequential, or influential”
principle – “a comprehensive and fundamental law, doctrine, or assumption”

16.    quarts, quartz

quarts
– “a vessel or measure having a capacity of one quart”
quartz – “a mineral consisting of silicon dioxide occurring in colorless and transparent or colored hexagonal crystals or in crystalline masses”

17.    rain, reign, rein

rain – “water falling in drops condensed from vapor in the atmosphere”
reign – “the dominion, sway, or influence of one resembling a monarch <the reign of the Puritan ministers>”
rein – “a strap fastened to a bit by which a rider or driver controls an animal”

18.    scene, seen

scene – “one of the subdivisions of a play”
seen – past participle of see – “to perceive by the eye”

19.    there, their, they’re

there – “in or at that place”
their – “of or relating to them or themselves especially as possessors, agents, or objects of an action”
they’re – “they are”

20.    vial, vile

vial – “a small closed or closable vessel especially for liquids”
vile – “morally despicable or abhorrent”

21.    weak, week

weak – “lacking strength”
week – “any of a series of 7-day cycles used in various calendars”

22.    yoke, yolk

yoke – “a wooden bar or frame by which two draft animals (as oxen) are joined at the heads or necks for working together”
yolk – “the yellow spheroidal mass of stored food that forms the inner portion of the egg of a bird or reptile and is surrounded by the white”

Every so often, I will revisit this topic and provide more examples of common homonyms that professional editors encounter on a regular basis. Until then, acquaint yourselves with those listed above!

Why Should I Use a Professional Editor?

Monday, January 5th, 2009

Why-Should-I-Use-a-Professional-Editor“I’m a good writer; I don’t need anyone else to read my stuff.” Ever said or thought that? Well, maybe it’s true that you’ve committed Strunk & White to memory; your work is polished, professional and print-ready; and publishers are scrambling to be the first to sign you.

On the other hand, maybe, just maybe, you’re like the vast majority of the human race and have issues with the use of “who” and “whom” and are never quite sure where to properly place that comma—or should it be a semi-colon?

This is where a professional editor can be a lifesaver. Professional editors know the proper use of “who” and “whom.” Further, they’re familiar all the mystifying little rules of grammar and punctuation that befuddle the average writer. It’s not only their job to know these things; it’s also their passion. You see, professional editors are those annoying people who just can’t help themselves: grammatical and punctuation errors seem to leap out at them, even in published books or magazines. They’re the ones who will read a passage in a great work of literature and, instead of sighing over its perfection, mull ways it could have been differently worded. They think nothing of telling store owners—politely, of course!—that their outside sign reads “hear” when it should read “here.”

So what exactly does this mean for the aspiring novelist or the student with a paper due yesterday?

A professional editor can check your work for mistakes that your word processing program’s grammar/spell check missed. S/he can suggest ways to better word sentences and even move entire paragraphs around to make your work read more clearly and logically. Professional editors can help ensure your work conforms to the style guide your instructor or publisher requires. In short, a professional editor can take your unpolished manuscript and turn it into a polished gem, ready for submission to those who will decide its ultimate fate.

And isn’t the ultimate fate of your work what it’s all about? A research paper turned in with numerous grammatical errors or using the wrong style guide will receive a failing grade. A novel submitted to a publisher with run-on sentences and improper use of quotation marks will be tossed into the reject pile.

Don’t let your hard work be for naught: before turning in that term paper or submitting that novel to a publisher, take the time to hire a professional editor through a firm such as FirstEditing (www.firstediting.com). It’s worth the money spent to make sure your work is as perfect as humanly possible.

Proofreading vs. Editing – Another View

Thursday, December 25th, 2008

Proofreading or editing—how do you know which one to do? What is the difference? Most people use the two terms interchangeably, but there is technically a slight difference between the two.

Think of editing as something you do all during the writing process, while proofreading is something you do right before you turn in your project.

Everyone has their own way to work through the writing process. Let’s look at writing a novel. A typical pattern for someone might be to brainstorm for ideas. Then make an outline of the story. The next step would be to go ahead and write a first draft of the story. The best way to go about that would be to just write it without trying to make too many corrections along the way—that’s what editing is for. Sometimes if too much time is spent editing “while” you’re actually writing, you can lose focus and drive and risk your story falling flat. Once your “rough draft” is complete, now is the time to go back through and “edit.”

During the editing process, you’ll want to look for:

  1. Context—is your story complete?
  2. Is the point of view consistent?
  3. Who is your audience?
  4. Does your story flow smoothly?
  5. Is the plot line resolved?
  6. How is the imagery?
  7. How is the character development?

Obviously, this is not an exhaustive list, just a few things to consider while editing. There is no set number of drafts for writing a novel; you just keep polishing it until the writing is smooth, well written, and all loose ends are taken care of. However, before you send it off to the publisher, it must be proofread.

Proofreading is the final run-through before your writing is submitted. This is where you concentrate on spelling, grammar, punctuation, and syntax. You are dotting all the i’s and crossing all the t’s. This is also where you polish your formatting and make sure you are consistent throughout.

  1. Do you have the same font throughout the text?
  2. Are all of your chapter headings in the correct numerical order?
  3. If you are writing to submit to a publisher, be sure to get the specs they require for submission; not all of them are the same.

Some people find it helpful to have another person look at it at the end stage in order to get a fresh perspective.

All-in-all the editing process is more intensive, while proofreading catches those overlooked errors that you definitely don’t want to make it all the way to the publisher. Both processes are important and needed in order to produce a final, polished piece of writing.

Proofreading vs. Editing

Wednesday, December 24th, 2008

Right off, let’s define the terms, because what is called “proofreading” by people outside the publishing industry is usually editing instead. The editor works on the book at the manuscript stage, marking grammatical and spelling mistakes, querying inconsistencies and awkward phrasing, and among other things, verifying facts. The proofreader works on comparing every word of the manuscript with every word of the proof, verifying correct word breaks, making sure that all editorial changes were input, and making sure that elements of the work were placed according to design specifications.

Most know that proofreaders are not supposed to make substantive changes to a manuscript or go against the style sheet provided by the editor, but they do serve as an additional reader. The proofreader is expected to pick up any mistakes the others missed, as no one is perfect.

Proofreading is a tough job. Even for someone with a good memory like me, it’s difficult to hold more than a few words in your head at a time without leaving out a comma or mixing any of the words or details up. For instance, if Mike is a balding man of 40 in chapter 6, he must still be a balding man of 40 in chapter 18. I have even come across name changes suddenly that were not supposed to change; it was just the authors oversight/error. With that said, it’s intensely time-consuming and tedious.

People often wonder how proofreaders manage to do so much in such a short time. It is hard to get a handle on exactly how each operates within his or her own time frame. It seems each proofreader has his or her own style and that is what makes it so effective across the board. Learning to proofread and edit is a skill that surely has great latitude. It can make one quite a hot commodity as writers will never stop writing and our expertise will always be sought after. I dare say this is a profession that is somewhat recession-proof!

The bottom line is to be appreciative of your proofreaders and editors! We are truly your last line of defense against mistakes in your novel.

Fact Checking

Monday, December 22nd, 2008

One fundamentally important aspect of professional editing is the process of fact checking. According to Wikipedia, fact checking can be defined as checking “factual assertions in non-fictional text, usually intended for publication in a periodical, to determine their veracity and correctness.”

This isn’t exhilarating stuff. In fact, generally, fact checking is probably the most tedious and mundane aspect of a professional editor’s job. However, although this particular aspect of editing may appear to be quite dull, its importance is unparalleled. Oftentimes, there is nothing worse than misspelling a company’s name, misusing a particular reference or even misrepresenting a product’s intended use. Therefore, professional editors must always ensure that their clients get their facts straight!

Fact checking is normally a fairly easy process that can be done via the Internet. For example, if an editor was reading text in which the writer made reference to the company “Walmart,” a quick visit to the company’s website would reveal that the correct spelling of the company’s name is, in fact, “Wal-Mart.” Not a big deal, right? Perhaps not to the average reader, but should a Wal-Mart representative ever come across this misrepresentation, the source of the original content could be in for a battle. And, let me reassure you, the fault will not lie in the hands of the professional editor, but rather on the writer of the piece of work, the owner of the website on which the material appears, etc.

What do to? Hire a professional editor! Now, this is not some clever tactic to generate more business for FirstEditing.com but rather is merely a reality check! Professional editors know that fact checking is a part of their day-to-day editing routine, thus in the hands of professionals, your work will never to subject to an embarrassing error.

Essentially, what fact checking does is ensures that all material used is correct and cannot result in a potential lawsuit (it’s incredible what can get you into trouble these days!). Professional editors are there to make your work factual, thus decreasing your chances of misrepresentation. Ultimately, it’s what we’re paid to do!

Why Should I Pay for a Professional Editor?

Monday, December 22nd, 2008

You’ve written a killer research paper or maybe the next Great American (or British or Canadian or…) Novel, and now you’re ready to submit it for grading or for publication—but wait! Has your work been professionally edited?

“Why do I need a professional editor? My word processing program has a spell/grammar check—isn’t that enough?” you ask suspiciously.

Not really. Many times, spell/grammar checks are inconsistent, they can often miss really obvious mistakes, and they frequently suggest horribly wrong “corrections.” A human eye is best for the final edit of your document, and a professional editor is the best person for that job.

Why? Consider this. Professional editors are those annoying people who find grammar and spelling mistakes in books they’re reading for pleasure, as well as in magazines, journals, newspapers—pretty much anything they set eyes on—without even trying. They just can’t help themselves: the errors leap off the page at them.

Further, they’re the folks who, after reading a paragraph, will say, “That’s nice, but you know, wouldn’t it be better to put that paragraph before this one? And by the way, if you move that sentence over here and rephrase this one, it’ll read much more smoothly. Try wording it like this…”

What’s more, professional editors know the various style manuals used by academia, professional journals and so forth, and can make sure your paper meets whatever style manual your professor or journal prefers. Need all citations and references done in MLA format when you’re more familiar with Turabian?

Turn the paper over to a professional editor, who can correct all your citations and references to the required style. When your grade depends on perfection (or as close to it as any human can manage), you want to call in the big guns!

Understand, however, that no truly professional editor is going to do all your work for you: your paper or novel or whatever other document you submit for editing must be complete. Editors don’t do your research; they don’t write your paper; they don’t dig up references for you. What they do is take YOUR work and make it better through rewording awkward phrases or sentences, moving entire paragraphs around, correcting grammar and punctuation, and sometimes asking questions or making comments that force you to re-evaluate a conclusion or a scene—this is what makes them professionals!

After spending hours, maybe weeks or months, laboring over your written creation, don’t put blind faith in computer spell/grammar checks. Hire a professional editor through a firm such as FirstEditing (www.firstediting.com) and know that your work has been given the attention to detail that it deserves.



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